Copyright

The Cultural Economist 2004 - 2012.

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Fair Use Notice, License, Trademarks, and Disclaimers

Fair Use Notice

This site contains copyrighted material the use of which has not always been specifically authorized by the copyright owner. We are making such material available in our efforts to research, analyze and document issues of cultural and economic significance. We believe this constitutes a 'fair use' of any such copyrighted material as provided for in Title 17 U.S.C. Sections 107 – 121. The material on this site is distributed without profit to those who have an interest in using the information herein for teaching, scholarship and research purposes. For more information go to: http://www.copyright.gov/

Warning: If you wish to use copyrighted material from this site for purposes of your own that go beyond 'fair use', you must first obtain permission from the copyright owner.

License

You are welcome to copy any of the material on this site for teaching, scholarship or research purposes subject to the Fair Use Notice described above. If you chose to read or copy any information on this site, you automatically assume certain rights and responsibilities under this License.

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No Warranty

There are multiple and sometimes conflicting opinions about the governments, religions, cultures, organizations, companies, markets and products discussed in the documents found on this WEB site. Specific or inferred references to, and all discussion of, persons, groups, organizations, events or circumstances are subject to a variety of interpretations and should therefore be treated as conjecture. The information found on this WEB site represents the author's interpretation and analysis of information that is available to the public. It is not guaranteed as to accuracy or completeness. Although the text, charts, tables, statements, comments, conclusions, and forecasts found in the articles and essays on this WEB site are based on logical research, they are presented without any warranty.

     
Scenarios Are Not Predictions.  

          The insights and graphs presented in the TCE blogs are based on the analysis of alternative scenarios. Scenarios are not predictions.  Rather, they permit us to make, and then test, a hypothesis. We will then be able to challenge the assumptions, encourage debate about the model, and profile the probable result of our analysis. Scenarios are tools that give our evaluations focus, permit us to deal with the unexpected, and characterize the results of dynamic circumstances. Each scenario provides a way to organize a set of related facts and assumptions that are internally consistent within the construct of a specific scenario. Because they begin as a hypothesis, scenarios can be tested against known data points. We can also estimate each scenario's probability, versus alternative scenarios that seek to analyze the same data sets.

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What is a Copyright?

Copyright is a form of protection provided by the laws of the United States (title 17, U.S. Code) to the authors of “original works of authorship,” including literary, dramatic, musical, artistic, and certain other intellectual works. This protection is available to both published and unpublished works. Section 106 of the 1976 Copyright Act generally gives the owner of copyright the exclusive right to do and to authorize others to do the following:

· To reproduce the work in copies or phonorecords;

· To prepare derivative works based upon the work;

· To distribute copies or phonorecords of the work to the public by sale or other transfer of ownership, or by rental, lease, or lending;

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· To display the copyrighted work publicly, in the case of literary, musical, dramatic, and choreographic works, pantomimes, and pictorial, graphic, or sculptural works, including the individual images of a motion picture or other audiovisual work; and

· In the case of sound recordings, to perform the work publicly by means of a digital audio transmission.

In addition, certain authors of works of visual art have the rights of attribution and integrity as described in section 106A of the 1976 Copyright Act. For further information, request Circular 40, “Copyright Registration for Works of the Visual Arts.”

It is illegal for anyone to violate any of the rights provided by the copyright law to the owner of copyright. These rights, however, are not unlimited in scope. Sections 107 through 121 of the 1976 Copyright Act establish limitations on these rights. In some cases, these limitations are specified exemptions from copyright liability. One major limitation is the doctrine of "fair use," which is given a statutory basis in section 107 of the 1976 Copyright Act. In other instances, the limitation takes the form of a "compulsory license" under which certain limited uses of copyrighted works are permitted upon payment of specified royalties and compliance with statutory conditions. For further information about the limitations of any of these rights, consult the copyright law or write to the Copyright Office.

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